Philosophy

Crafting an instrument requires physical, intellectual, and emotional investment. After more than 25 years of experience, I have mastered my tools, my materials, and my craft — but true quality does not come from skill alone. It emerges from vision: a clear intention about what kind of sound, feel, and experience I want to offer the musician.

I work with intensity and spontaneity, often in a flow similar to Japanese calligraphy, where every movement of the tool carries meaning. Yet at the same time, the instrument must eventually step aside, allowing space for music and the personality of the player to shine.

That is why I focus deeply on playability, balance, tonal richness, and responsiveness — qualities that help the musician forget the instrument and dedicate themselves fully to musical expression.

Whenever possible, I enjoy working closely with the musician from the very beginning of the process. Understanding their acoustic needs, aesthetic preferences, and musical personality helps me tailor every element of the instrument — from model and wood selection to varnish and setup.

Craft

• I personally select all my tonewood: maple from Central Europe, and spruce from the Italian Alps, seasoned naturally over many years.

• I draw my own models using historical geometric methods, especially those rediscovered by the luthier François Denis.

• I create my varnish from scratch, using linseed oil, amber, rosin, sandarac, and natural pigments from plants and minerals.

• I remain inspired by both the great Italian masters and by contemporary luthiers. We regularly share reflections on sound, aesthetics, and technique — always in pursuit of deeper understanding.

Building instruments is a lifelong quest. Each cello is a step forward.